{"id":2746,"date":"2022-02-27T12:01:42","date_gmt":"2022-02-27T12:01:42","guid":{"rendered":"https:\/\/arts.aswu.edu.eg\/en\/?page_id=2746"},"modified":"2022-03-02T11:37:24","modified_gmt":"2022-03-02T11:37:24","slug":"registered-and-granted-masters-and-doctorate-degrees-in-the-arabic-department","status":"publish","type":"page","link":"https:\/\/arts.aswu.edu.eg\/en\/registered-and-granted-masters-and-doctorate-degrees-in-the-arabic-department\/","title":{"rendered":"Registered and granted master’s and doctorate degrees in the Arabic Department"},"content":{"rendered":"

First, registered and awarded master’s students from the year 2011 to 2021<\/span><\/strong><\/span><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Sarah Ismail Abbas Ghalib<\/span><\/td>\nIslamic Trend in the stories of Kamel Kaylanie for children<\/span><\/td>\n<\/tr>\n
Reda Abdel Shakour<\/span><\/td>\nThe Nubian issue in the novel innovation of Idris Ali-critic study<\/span><\/td>\n<\/tr>\n
Doaa Muhammed Muhajir<\/span><\/td>\nPhoto of the nature of the pendants poets-artistic neutral topic<\/span><\/td>\n<\/tr>\n
Taha Ali Ahmed Othman<\/span><\/td>\nThe sarcastic tendency in Youssef Al-Sabbay novels-analytic study<\/span><\/td>\n<\/tr>\n
Omaima Suleiman Musa Muhammad<\/span><\/td>\nArabism in Al-Mutanabbi poetry-analytic study<\/span><\/td>\n<\/tr>\n
Maha Mustafa Hamdan Ali<\/span><\/td>\nTime in Badr Shaker Sayyab poetry-analytic study<\/span><\/td>\n<\/tr>\n
Sawsan Mahmoud Mohamed Hussein<\/span><\/td>\nMeasuring upon the meaning according to Ibn Jani In his book ”Characteristics” – A Study in the Light of Text Linguistics<\/span><\/td>\n<\/tr>\n
Alaa Mohamed Azab<\/span><\/td>\nLiterature of the Arab rulers in pre-Islamic era ” artistic study”-old<\/span><\/p>\n

Artistic specializations for prose according to the Arab rulers’ pre-Islamic era\u00a0 -new<\/span><\/td>\n<\/tr>\n

Hana Mohamed Mahmoud<\/span><\/td>\nGrammatical manners in the Omarian letters<\/span><\/td>\n<\/tr>\n
Mohamed Saad Gad Attia<\/span><\/td>\nThe duality of darkness and light in the civil Quran, a rhetorical study<\/span><\/td>\n<\/tr>\n
Tawfiq Mahmoud Doaa<\/span><\/td>\nThe Pictorial Paradox in the Divan of Songs of Life by Abu al-Qasim al-Shabi<\/span><\/td>\n<\/tr>\n
Asmaa Ahmed<\/span><\/td>\nThe artistic image in the (Egyptian) women’s miraculous stories, selected models<\/span><\/td>\n<\/tr>\n
Mahmoud Kamal Amin<\/span><\/td>\nThe pessimistic tendency between Ibn Al-Roumi and Abu Al-Ala Al-Ma\u2019arri\u2019s \u201cAn Analytical Balancing Study\u201d.<\/span><\/td>\n<\/tr>\n
Zainab Ahmed Hassan<\/span><\/td>\nPhonemic symmetry according to Ibn Jani by his book’ ‘Characterizations” study and analysis<\/span><\/td>\n<\/tr>\n
Esraa Rabie Ahmed<\/span><\/td>\nRepetition in the collection poems of Abu Ishaq Alberi<\/span><\/td>\n<\/tr>\n
Ahmed Abdel Fattah Ahmed Idris<\/span><\/td>\nPoetry of Dr. Yousseif Khalief ”stylistic study”<\/span><\/td>\n<\/tr>\n
Mahmoud Hegazy Mohamed Hegazy<\/span><\/td>\nThe Book of Science from Sahih Al-Bukhari \u201ca pragmatic study\u201d<\/span><\/td>\n<\/tr>\n
Iman Mustafa Abdo Ahmed<\/span><\/td>\nThe technical structure of the poem in the poetry of Al-Tamlemmus Al-Dabai’s \u201cAn Analytical Study\u201d<\/span><\/td>\n<\/tr>\n
Mona Mahmoud Jamea Khalil<\/span><\/td>\nThe structure of the image In the poetry of Al-Fayafi among the pre-Islamic poets, \u201ca stylistic study\u201d<\/span><\/td>\n<\/tr>\n
Mahmoud Ahmed Hussein Ali<\/span><\/td>\nThe Egyptian novel between diagnosis and history of the 1919 revolution between Naguib Mahfouz’s trilogy and the return of the soul by Tawfiq al-Hakim<\/span><\/td>\n<\/tr>\n
Abdel Radi Ali Gad Mahmoud<\/span><\/td>\nThe Islamic Spirit in the Poetry of Muhammad Abdul Muttalib: A Stylistic Study<\/span><\/td>\n<\/tr>\n
Samira Ahmed Abdel Rahim<\/span><\/td>\nThe Virgin Spinning in the Poetry of Katheer Azza and Al-Abbas bin Al-Ahnaf \u201cA Balancing Approach\u201d<\/span><\/td>\n<\/tr>\n
Saeed Abdel Moeen Mohammed<\/span><\/td>\nLamenting the ephemeral cities and kingdoms of Ibn Al-Abar Al-Quda\u2019i by Abu Al-Baqa Al-Randy \u201cA Study of a Balancing Approach\u201d<\/span><\/td>\n<\/tr>\n
Ahmed Abdel Hamid Mohamed Abdellah<\/span><\/td>\nThe stylistic structures in Khalil Mardam Bey’s poetry<\/span><\/td>\n<\/tr>\n
Abeer Mohamed Hassan Mohamed<\/span><\/td>\nSyntax symptoms in Juz Amma \u201cA grammatical semantic study\u201d<\/span><\/td>\n<\/tr>\n
Walid Abdel Sattar Abdel Wahed<\/span><\/td>\nIntertextuality in the poetry of Mahmoud Hassan – Ismail – an artistic study<\/span><\/td>\n<\/tr>\n
Afaf Abdel Salam Ahmed<\/span><\/td>\nIbn Zaydun\u2019s poetry \u201ca pragmatic study\u201d<\/span><\/td>\n<\/tr>\n
Mahmoud Ibrahim Mohamed<\/span><\/td>\nIntertextuality in Abdul Majeed Farghali\u2019s Poetry \u201cA Semantic Study\u201d<\/span><\/td>\n<\/tr>\n
Mohamed Mahmoud Ali<\/span><\/td>\nFamily Kinship In the light of Sahih Muslim, \u201cAn Applied and Authentic Study\u201d<\/span><\/td>\n<\/tr>\n
Hind Barakat Ramadan Ahmed<\/span><\/td>\nThe impact of the tone on the integrity of the Qur\u2019anic performance in the light of the theory of the stress balance \u201cJaz Amma as a model\u201d<\/span><\/td>\n<\/tr>\n
Asmaa Muhammad Ali<\/span><\/td>\nThe stylistic structures in the poetry of Ibn Darraj al-Qastali \u201ca semantic study\u201d<\/span><\/td>\n<\/tr>\n
Alaa Al-Badri Abdel-Zaher<\/span><\/td>\nDialogue in the Meccan Qur\u2019an \u201ca stylistic study\u201d<\/span><\/td>\n<\/tr>\n
Walid Abdel Hafeez Thabet<\/span><\/td>\nA phenomenon that is not predominant in grammatical and morphological studies \u201cAn Analytical Study\u201d<\/span><\/td>\n<\/tr>\n
Ma’ala<\/span> Abul-Hassan Zidan<\/span><\/td>\nRhythmic strength in Ahmed Bakhit\u2019s poetry \u201ca semantic study\u201d<\/span><\/td>\n<\/tr>\n
Diaa El Din Ahmed Kamel Mahmoud<\/span><\/td>\nTechniques of the poem between the two princes Ibn Al-Moataz and Ibn Al-Mu\u2019izz \u201cA balancing study\u201d<\/span><\/td>\n<\/tr>\n
Mohamed Ahmed Abbas<\/span><\/td>\nThe Watery Arjoza in Remembrance of the Condition of the Goodness of the Beast – may God\u2019s prayers and peace be upon him – by Ibn Abi Al-Ezz Al-Hanafi \u201cA Syntactic and Semantic Study\u201d<\/span><\/td>\n<\/tr>\n
Mahmoud Ahmed Gad Mawla<\/span><\/td>\nThe position of Abu Hayyan Al-Andalusi (d. 745 AH) from the grammarians in his book (The Jokes Al-Hassan fi Sharh Ghayat Al-Ihsan) \u201cAn Analytical Study\u201d<\/span><\/td>\n<\/tr>\n
Taha Abu Al-Ela Ismail<\/span><\/td>\nNumbers and calculations in the legal rulings (worships) in the Qur\u2019an and Sunnah \u201cobjective study\u201d<\/span><\/td>\n<\/tr>\n
Taha Muhammad Mustafa<\/span><\/td>\nThe approach of the Prophet, may God bless him and grant him peace, in facing crises, \u201cobjective study\u201d<\/span><\/td>\n<\/tr>\n
Walaa M’mun Jamea Hussein<\/span><\/td>\nManifestations of intertextuality in the poetry of Al-Talafri<\/span><\/td>\n<\/tr>\n
Esraa Atef Abdel-Mobdi Attia<\/span><\/td>\nEchoes of Naguib Mahfouz\u2019s autobiography and its translation: A Comparative Approach to Narrative Discourse Analysis<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Second: the registered and awarded doctoral’ students from 2011 to 2021:<\/strong><\/span><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Obaid Ibrahim Obaid Ahmed<\/span><\/td>\nMarriage and Divorce Book in Sahih Muslim-grammatical and semantic study<\/span><\/td>\n<\/tr>\n
Wafaa Abdullah Muhammad<\/span><\/td>\nThe brilliant investigation, Explanation of the Similarities and Analogies, by the scholar Muhammad Hebbat Allah Al-Taji Al-Hanafi, who died in 1224 AH. Introduction and the first rule of the first art, investigation, and study.<\/span><\/td>\n<\/tr>\n
Amira Bashir Mohamed Ahmed<\/span><\/td>\nAl-Hawadi, Explanation of the Paths, by the scholar Hamza bin Turgood, Nur al-Din al-Aydini, al-Rumi, who died in 979 AH. Introduction and semantics, investigation and study.<\/span><\/td>\n<\/tr>\n
Khaled Mohamed Abdel Rahim Mohamed<\/span><\/td>\nNorth Adfu Dialect-Kalh Gharb – a linguistic study<\/span><\/td>\n<\/tr>\n
Mohamed Ahmed Ali Hassan<\/span><\/td>\nGrammatical characteristics in the hadiths of financial transactions in Sahih Muslim.<\/span><\/td>\n<\/tr>\n
Mamdouh Ali Mohamed Abdel Aal<\/span><\/td>\nSurat al-Shu`araa study in textual linguistics.<\/span><\/td>\n<\/tr>\n
Ali Mohamed El-Sawy Hassan<\/span><\/td>\nTextual coherence in Antarah Divan- a study in the light of textual linguistics<\/span><\/td>\n<\/tr>\n
Abu Al-Wafa Yahya Ali Hefni<\/span><\/td>\nCharacteristics of the technical structure in the communities and brotherhood poetry of Hafez Ibrahim-Analytic Study<\/span><\/td>\n<\/tr>\n
Zainab Najeh Sayed Muhammad<\/span><\/td>\nShalateen dialect and its villages – a linguistic study<\/span><\/td>\n<\/tr>\n
Sayed Bastawy Gad<\/span><\/td>\nBody languages in the verses of the Holy Qur’an-grammatical semantic study<\/span><\/td>\n<\/tr>\n
Roqaya Mahmoud Sayed Ali<\/span><\/td>\nKhansa Divan-grammatical semantic study<\/span><\/td>\n<\/tr>\n
Ahmed Mohamed Ahmed Mahmoud<\/span><\/td>\nNumerous signal adjectives of one described in the Holy Qur’an-”rhetorical study”\u00a0<\/span><\/td>\n<\/tr>\n
Jalal Abbas Nour Ahmed<\/span><\/td>\nCharity (Zakat) Book in Sahih Muslim a grammatical and semantic study<\/span><\/td>\n<\/tr>\n
Ahmed Hassan Mohammed Al-Kharshi<\/span><\/td>\nThe seven pendants’ poetry in the light of the receiving theory ”analytic study”\u00a0<\/span><\/td>\n<\/tr>\n
Emad Saadi Al-Tayeb<\/span><\/td>\nThe reason dialogue of grammarians”Ibn Jana is a model”<\/span><\/td>\n<\/tr>\n
Karima Jaber Berberi<\/span><\/td>\nThe infrastructure of the poetry theatre of ”Abdul Rahman Al-Sharqawi”<\/span><\/td>\n<\/tr>\n
Asmaa Musa Ahmed<\/span><\/td>\nNazik Angels Divan in the light of ”Linguistics Study”<\/span><\/td>\n<\/tr>\n
Abdel Raouf Abdel Aziz Kenawy<\/span><\/td>\nSyntax in Ali Mahmoud Taha\u2019s Poetry \u201cA Semantic Syntactic Study\u201d<\/span><\/td>\n<\/tr>\n
Mohamed Abdel Majid Mahmoud Mousa<\/span><\/td>\nThe phenomenon of deletion in Ali Al-Jarm\u2019s Divan, \u201ca stylistic study.\u201d<\/span><\/td>\n<\/tr>\n
Amany Metwally Abdo Hamed<\/span><\/td>\nBuilding the character in the novels of Youssef Idris – a critical study<\/span><\/td>\n<\/tr>\n
Ola Barakat Ahmed<\/span><\/td>\nThe grammatical comments of Ibn Hisham Al-Masry on the opinions of Abu Hayyan Al-Andalusi \u201cStudy and Analysis\u201d<\/span><\/td>\n<\/tr>\n
Nashwa Mustafa Ahmed<\/span><\/td>\nWrong Manners and Integrity offenses in the Light of Shafi’i School<\/span><\/td>\n<\/tr>\n
Samira Muhammed Hussain<\/span><\/td>\nThe effect of adversities in Ibn Al-Moatz Poetry”artistic study”<\/span><\/td>\n<\/tr>\n
Abdullah Qarni Ahmed<\/span><\/td>\nGrammatical Remains from old Arabic”grammatical and phonetics study”<\/span><\/td>\n<\/tr>\n
Mohamed Rakaby Ahmed Ali<\/span><\/td>\nAllowance and prohibition according to Sibawayh and AL-Fara’ in Grammatical Matters<\/span><\/td>\n<\/tr>\n
Asmaa Orabi\u00a0 Abdul Rahman<\/span><\/td>\nArtistic Image in Mohamed Tawfik Ali Poetry ”rhetorical study”<\/span><\/td>\n<\/tr>\n
Saleh Muhammad Ali<\/span><\/td>\nFormations of the conflicts in the poetic theatre of Farouk Jweidah<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

First, registered and awarded master’s students from the year 2011 to 2021 Sarah Ismail Abbas Ghalib Islamic Trend in the stories of Kamel Kaylanie for children Reda Abdel Shakour The Nubian issue in the novel innovation of Idris Ali-critic study Doaa Muhammed Muhajir Photo of the nature of the pendants poets-artistic neutral topic Taha Ali […]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-2746","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/arts.aswu.edu.eg\/en\/wp-json\/wp\/v2\/pages\/2746","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arts.aswu.edu.eg\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/arts.aswu.edu.eg\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/arts.aswu.edu.eg\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/arts.aswu.edu.eg\/en\/wp-json\/wp\/v2\/comments?post=2746"}],"version-history":[{"count":5,"href":"https:\/\/arts.aswu.edu.eg\/en\/wp-json\/wp\/v2\/pages\/2746\/revisions"}],"predecessor-version":[{"id":2751,"href":"https:\/\/arts.aswu.edu.eg\/en\/wp-json\/wp\/v2\/pages\/2746\/revisions\/2751"}],"wp:attachment":[{"href":"https:\/\/arts.aswu.edu.eg\/en\/wp-json\/wp\/v2\/media?parent=2746"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}