{"id":2754,"date":"2022-03-02T11:58:11","date_gmt":"2022-03-02T11:58:11","guid":{"rendered":"https:\/\/arts.aswu.edu.eg\/en\/?page_id=2754"},"modified":"2023-05-21T07:50:39","modified_gmt":"2023-05-21T07:50:39","slug":"registered-and-awarded-master-and-doctoral-students-in-french-department","status":"publish","type":"page","link":"https:\/\/arts.aswu.edu.eg\/en\/registered-and-awarded-master-and-doctoral-students-in-french-department\/","title":{"rendered":"M& PhD Students\/ French Department\/"},"content":{"rendered":"

First: Registered and awarded students in master degree from 2013 to 2021:<\/span><\/strong><\/span><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Wafaa Syed Ahmed Ali<\/span><\/td>\n\u201d Figures de la repetition dans la poesie \u201cdHenri Michaux \u201cEtude Lguistique<\/span><\/td>\n<\/tr>\n
Ahmed Mohamed Abdel Sattar<\/span><\/td>\nLa polyphonie \u00e9nonciative dans Et apr\u00e8s \u2026 de Guillaume Musso<\/span><\/td>\n<\/tr>\n
Shaima Abdel Nabi Sharqawi<\/span><\/td>\n\u00a0du 3 mai 2017 entre Emmanuel Macron et Marine Le Pen au deuxi\u00e8me tour des \u00e9lections pr\u00e9sidentielles fran\u00e7aises.<\/span>
\n\u201c\u201d\u00c9tude linguistique\u201d\u201d<\/span><\/td>\n<\/tr>\n
Ahmed Khaled Ramadan<\/span><\/td>\nPrononciation et \u00e9criture des noms propres arabes en fran\u00e7ais contemporain<\/span><\/td>\n<\/tr>\n
Mushira Mahmoud Ali<\/span><\/td>\n\n
\n
\n
\n
\n
\n
\n

\u00a0 \u00c9tude cririque de la traduction de la trilogie alg\u00e9rienne de Mohamed Dib vers l\u2019arabe<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/td>\n<\/tr>\n

Yasmine Mohamed Bahaa El Din Ahmed<\/span><\/td>\n\u201cLa r\u00e9ception des Fran\u00e7ais du roman Allah n\u2019est pas oblig\u00e9 d\u2019Ahmadou Kourouma<\/span><\/td>\n<\/tr>\n
Yasser Gad Saada Abdullah<\/span><\/td>\nLe proc\u00e8s-verbal\u201d de le Cl\u00e9zio : Etude linguistique<\/span><\/td>\n<\/tr>\n
Sally Ismail Hassan Ahmed<\/span><\/td>\n\u201cLa probl\u00e9matique de l\u2019identit\u00e9 dans les romans beurs:\u201d\u201dLe Gone du Cha\u00e2ba\u201d\u201d d\u2019Azouz Begag et \u201c\u201dL\u2019Amour, La fantasia\u201d\u201d d\u2019Assia Djebar.<\/span><\/td>\n<\/tr>\n
Arafat Ibrahim Damrany<\/span><\/td>\nLa structure narrative et enonciative dans l\u2019oeuvre romanesque de Patrick Modiano <\/span><\/td>\n<\/tr>\n
Hiam Fathy Kamel Othman<\/span><\/td>\n\u00c9tudier les probl\u00e8mes de la traduction fran\u00e7aise \u00e0 travers le roman Utopia d’Ahmed Khaled Tawfik<\/span><\/td>\n<\/tr>\n
Mona Mujahid Saleh<\/span><\/td>\nOrigine des Proverbes et Probl\u00e9mes de traduction<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Second: registered and awarded doctoral students from 2015 to 2021:<\/span><\/strong><\/p>\n\n\n\n\n\n\n\n\n\n
Zainab Ahmed Saadi<\/span><\/td>\nL\u2019\u00e9nonciation dans l\u2019oeuvre romanesque De Patrick Modiano<\/span><\/td>\n<\/tr>\n
Rania Kamal Mohamed<\/span><\/td>\nT\u00e9mes et expressions des sensations dans la traduction du sens du Noble Coran\u00a0<\/span><\/td>\n<\/tr>\n
Nada Ahmed Hussein<\/span><\/td>\n\u201cL\u2019 e`criture feminine en espace francophone d\u2019 Afrique noire,du Maghreb et au Moyen orient .<\/span>
\nEtude de quelques exemples:\u201d\u201dFatou diome,Fatima Mernissi et Ezza Malak Agha\u201d\u201d\u00a0<\/span><\/td>\n<\/tr>\n
Wissam Mohamed Ibrahim Mohamed<\/span><\/td>\nL\u2019Egypte modern du point de vue de l\u2019Occident\u00a0<\/span><\/td>\n<\/tr>\n
Jihad Hamdy Mustafa Kamel<\/span><\/td>\nL\u2019Ali\u00e9nation dans \u201cL\u2019Amant\u201d et \u201cL\u2019Amant de la chine du nord\u201d de Marguerite Duras et \u201cUn Pedigree\u201d et \u201cDes Inconnues\u201d de Patrick Modiano<\/span><\/td>\n<\/tr>\n
Adel Ahmed El-Sawy<\/span><\/td>\nLe mal-\u0207tre masculin dans \u201cAlcools\u201d de Guiaullme Apollinaire \u201c\u00c9tude th\u00e9matique\u201d\u00a0<\/span><\/td>\n<\/tr>\n
Hany Ali Ahmed<\/span><\/td>\nL\u2019argumentation fallacieuse et la manipulation de la r\u00e9flexion humaine Le discours de groupes djihadistes suite aux r\u00e9volutions du printemps arabe comme mod\u00e9le<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

First: Registered and awarded students in master degree from 2013 to 2021: Wafaa Syed Ahmed Ali \u201d Figures de la repetition dans la poesie \u201cdHenri Michaux \u201cEtude Lguistique Ahmed Mohamed Abdel Sattar La polyphonie \u00e9nonciative dans Et apr\u00e8s \u2026 de Guillaume Musso Shaima Abdel Nabi Sharqawi \u00a0du 3 mai 2017 entre Emmanuel Macron et Marine […]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-2754","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/arts.aswu.edu.eg\/en\/wp-json\/wp\/v2\/pages\/2754","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arts.aswu.edu.eg\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/arts.aswu.edu.eg\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/arts.aswu.edu.eg\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/arts.aswu.edu.eg\/en\/wp-json\/wp\/v2\/comments?post=2754"}],"version-history":[{"count":2,"href":"https:\/\/arts.aswu.edu.eg\/en\/wp-json\/wp\/v2\/pages\/2754\/revisions"}],"predecessor-version":[{"id":3753,"href":"https:\/\/arts.aswu.edu.eg\/en\/wp-json\/wp\/v2\/pages\/2754\/revisions\/3753"}],"wp:attachment":[{"href":"https:\/\/arts.aswu.edu.eg\/en\/wp-json\/wp\/v2\/media?parent=2754"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}