{"id":2766,"date":"2022-03-03T12:14:33","date_gmt":"2022-03-03T12:14:33","guid":{"rendered":"https:\/\/arts.aswu.edu.eg\/en\/?page_id=2766"},"modified":"2022-03-03T12:14:33","modified_gmt":"2022-03-03T12:14:33","slug":"the-registered-and-awarded-students-of-masters-and-doctoral-degrees-english-department","status":"publish","type":"page","link":"https:\/\/arts.aswu.edu.eg\/en\/the-registered-and-awarded-students-of-masters-and-doctoral-degrees-english-department\/","title":{"rendered":"The registered and awarded students of master’s and doctoral degrees-English Department"},"content":{"rendered":"

First: the registered and awarded students of the master’s\u00a0 degree from 2013 to 2022:<\/span><\/strong><\/span><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Hani Gabra Attieh<\/span><\/td>\nThe political theatre in the trilogy of the nineties of David Haines” study for form and content”<\/span><\/td>\n<\/tr>\n
Bashayer Ahmed Abdel Zaki<\/span><\/td>\nLinguistic analysis to the manner of the social media tools studying cases for both written Arabic and English languages\u00a0<\/span><\/td>\n<\/tr>\n
Hoda Mohammed Hashem<\/span><\/td>\nDual Identity: the study of subject and manner of the anthology of Derek Walcott’s poems\u00a0<\/span><\/td>\n<\/tr>\n
Amany El Badry Ahmed Bakheet<\/span><\/td>\nThe Theme of Miscegenation in Some Representative plays of Alice Childress<\/span><\/td>\n<\/tr>\n
Amira Hussein Ahmed Orabi<\/span><\/td>\nRendering Egyptian Cultural Elements into English as Manifested in the Translation of Naguib Mahfouz\u2019s Palace of Desire<\/span><\/td>\n<\/tr>\n
Mayar Mahmoud Ahmed<\/span><\/td>\nGenre Theory and Concrete Poetry: Critical Study of Selected Poems<\/span><\/td>\n<\/tr>\n
Khaled Abdel Tawab Hassan<\/span><\/td>\n\u201cVerbal Repetition and Parallelism in Nizar Qabbani\u2019s Balqis (1982): A Stylistic Study<\/span><\/td>\n<\/tr>\n
Maryam Mustafa Kamel<\/span><\/td>\n\n

The Relationship between The Orient and The Occident in terms of The Concepts of Utopia and Dystopia.<\/span><\/p>\n<\/td>\n<\/tr>\n

Alaa Muhammed Hussain<\/span><\/td>\nDystopia in Postmodern American Fiction with Reference to Shteyngart’s Super Sad True Love Story (2010), Eggar\u2019s \u201cThe Circle (2013), and Franzen\u2019s Purity (2015).<\/span><\/td>\n<\/tr>\n
Enas Mohamed Said<\/span><\/td>\n\u201cA Postcolonial Ecocritical Reading of Yanagi! Yanagai! (2003)by Andrea James and The Berlin Blues(2008)by Drew Taylor<\/span><\/td>\n<\/tr>\n
Shaima Al-Sayed Muhammad Ali Al-Sayed<\/span><\/td>\nA Syntactic and Semantic Analysis of Some Selected Poems by Maya Angelou<\/span><\/td>\n<\/tr>\n
TasbihAdel Mohamed Abdel Samie<\/span><\/td>\nA New-historicist Reading of David Hare\u2019s Fanshen (1975), Plenty<\/span>
\n(1978) and Stuff-Happens (2004)<\/span><\/td>\n<\/tr>\n
Marwa Abul-Hassan Abdul-Wahhab<\/span><\/td>\n\n

\u201cEnvironmental Issues in Linda Hogans Novels: An Eco-Critical Study of Mean Spirit (1990), Solar Storms (1995) and Power (1998)<\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Second: the registered awarded students of the doctoral degree from 2013 to 2022:<\/span><\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Sahar Abdel Qawi Younes<\/span><\/td>\nThe Image of theSoldier in Selected War Poems of Wilfred Owen, Siegfried Sassoon, Randall Jarrell, and James Dickey: A New Historicism Approach<\/span><\/td>\n<\/tr>\n
Ahmed Mohamed Abdo Kenawy<\/span><\/td>\nAnalysis of selected novels of Radwa Ashour and Tarek Ali in light of the concept of what’s after the historical metafiction<\/span><\/td>\n<\/tr>\n
Manar Taha Ibrahim Ahmed<\/span><\/td>\nThe feminist awareness across cultures as it’s embodied in selected plays of Rohina Malik, Susan Laurie Parks, Wendy Wasserstein<\/span><\/td>\n<\/tr>\n
Anas Mohamed El Sayed Ahmed<\/span><\/td>\n\u201cThe Image of Homeland in the Plays of Gao Xingjian , Anne Garcia \u2013 Romero and Winsome Pinnock<\/span>
\n( ATrans \u2013 cultural Study of Some Selected Plays)<\/span><\/td>\n<\/tr>\n
Tasbieh Adel Mohamed Abdel Samie<\/span><\/td>\nPower Dynamics in Selected Plays by Yousef El Guindi, Ayad Akhtar and Heather Raffo\u00a0<\/span><\/td>\n<\/tr>\n
Shaima Elsayed Mohamed<\/span><\/td>\n\u201cStrategies of Political Persuasion : A Rhetorical Analysis of Nigel Farage\u2019s Speeches at the European Parliament (2010- 2020)<\/span><\/td>\n<\/tr>\n
Hossam Abdel Hamid Gad<\/span><\/td>\n\u201cThe Concept of Performance in \u201cTrouble in Mind \u201d(1955) by Alice Childress and \u201c Sweat\u201d\u201d (2015) by Lynn Nottage: A Comparative Study in the Light of the \u201cPerformance Theory<\/span><\/td>\n<\/tr>\n
Riham Foud Mohamed Ahmed<\/span><\/td>\nCultural Duality in Selected Novels and Short Stories of Contemporary Arab-American Women Writers<\/span><\/td>\n<\/tr>\n
Haitham Omar Abdul-Kawi<\/span><\/td>\nImpoliteness in Major Arab Television Discourse: Talk\u2013Show Programs as an Example.<\/span><\/td>\n<\/tr>\n
Doaa Mahmoud Saeed<\/span><\/td>\nHybridity as a Post-Colonial Trend in the Major Novels of Kiran Desai and Ahdaf Soueif<\/span><\/td>\n<\/tr>\n
Ahmed Abdul-Majeed Ahmed<\/span><\/td>\nFirst Language Phonological Attrition in Egyptian-British Immigrants<\/span><\/td>\n<\/tr>\n
Wael Mohamed Abdul-Baqi<\/span><\/td>\nRegaining Harmony with Nature in Selected Poems by Don Mckay and Niyi Osundare :<\/span>
\nAn Eco-Critical, Comparative Study.<\/span>
\n\u201c<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

First: the registered and awarded students of the master’s\u00a0 degree from 2013 to 2022: Hani Gabra Attieh The political theatre in the trilogy of the nineties of David Haines” study for form and content” Bashayer Ahmed Abdel Zaki Linguistic analysis to the manner of the social media tools studying cases for both written Arabic and […]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-2766","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/arts.aswu.edu.eg\/en\/wp-json\/wp\/v2\/pages\/2766","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arts.aswu.edu.eg\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/arts.aswu.edu.eg\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/arts.aswu.edu.eg\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/arts.aswu.edu.eg\/en\/wp-json\/wp\/v2\/comments?post=2766"}],"version-history":[{"count":1,"href":"https:\/\/arts.aswu.edu.eg\/en\/wp-json\/wp\/v2\/pages\/2766\/revisions"}],"predecessor-version":[{"id":2767,"href":"https:\/\/arts.aswu.edu.eg\/en\/wp-json\/wp\/v2\/pages\/2766\/revisions\/2767"}],"wp:attachment":[{"href":"https:\/\/arts.aswu.edu.eg\/en\/wp-json\/wp\/v2\/media?parent=2766"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}